Title: The Prophecy (The Children of Lilith Volume 3)
Author: C. David Belt
Genre: LDS, Horror, Vampire
Tour Host: Lady Amber's Tours
Volume 3, The Prophecy:
For 6,000 years, Lilith and her Children have walked the earth, hunting, preying, seducing, corrupting, ruling from the shadows...until now.
An ancient prophecy, spoken by Adam, Lilith's grandfather, foretells her doom. She will do anything, corrupt any innocent, murder countless mortals to save herself. To survive, she knows she must destroy Carl and Moira Morgan. The war has begun. And Carl and Moira know, win or lose, it all ends here.
Volume 2, The Penitent:
In 6,000 years, no vampire has ever defied Lilith, Queen of the vampires...until now.
Moira and Carl Morgan have saved the city from the horror of Michael and his evil wives, but victory has come at terrible cost. And there are consequences to every choice, every victory. Word has spread that someone has broken Lilith's power, that someone has defied the ancient Queen of the vampires. And she's not happy about it.
Volume 1, The Unwilling:
In all the 6,000 years that the Children of Lilith have walked among us, there has never been an unwilling vampire...until now.
The Unwilling is the story of the world’s first and only unwilling vampire. Set in present-day Utah, it’s the story of Carl Morgan, a decent LDS man who loses his wife and children in an automobile accident. Then he witnesses the murder of his wayward sister at the hands of the beautiful and mysterious Rebecca. When the police can’t find the killer, he goes searching for her. He finds Rebecca, but she takes away everything. She transforms him into the world’s FIRST and ONLY unwilling vampire. Vampirism is a choice, and you’re choosing to become a serial killer, because you can only survive on HUMAN blood, not animal blood. Carl is unwilling to murder to survive and he really doesn’t understand what has happened to him. He’s found and mentored by Moira MacDonald, a two-hundred and seventy year-old Penitent (repentant vampire). She teaches him how to survive without killing, how to stay true to his temple covenants (in spite of his condition), and how to get justice for his murdered sister. But to Moira? Carl’s very existence as an unwilling vampire turns her world upside-down, because Carl is an impossibility. In the 6,000 years that the Children of Lilith have walked the earth, there has never been an unwilling vampire, because eternal damnation cannot be forced on someone: they must choose it, just as Moira did. And yet, there’s Carl. If he can exist somehow, there must be something about Moira’s condition that she doesn’t know. Is it possible that, after two and a half centuries of searching for redemption and repentance with no hope, perhaps there might somehow be a way back? Meanwhile, Rebecca’s vampire Master, Michael, plans to unleash a wave of new vampires on the city. Carl and Moira must stop him before countless innocents are slaughtered.
Amazon: Paperback: http://www.amazon.com/The-Unwilling-C-David-Belt/dp/1427695210/
Barnes & Noble:
Amazon (Kindle): http://www.amazon.com/The-Penitent-Children-Lilith-ebook/dp/B008ELF124/
Barnes & Noble (Nook): http://www.barnesandnoble.com/w/the-penitent-c-david-belt/1111504640
Amazon (Kindle): http://www.amazon.com/The-Prophecy-Children-Lilith-ebook/dp/B00CNFV5U4
Barnes & Noble (Nook): http://www.barnesandnoble.com/w/the-prophecy-c-david-belt/1115218875
“Where am I?” I ask.
She hesitates a moment and then replies, “Ye are in my home. Do ye know how ye got here?”
Now I’m getting worried. “My memory’s a bit fuzzy. Sorry.”
“Ye carried a young woman into the emergency room at the LDS Hospital. She was unconscious and covered in blood. Ye were stag-gerin’ about and yellin’ incoherently. Ye frightened everyone. We took the young woman and attended to her, but ye collapsed. I thought it best nae to let the staff examine ye. So, I brought ye here and tended to ye myself.”
The girl. Yes, I remember the girl. “Is she OK?” I ask.
Moira nods slowly. “Aye, she’s fine. Some blood loss, but she’ll live. Ye did nae kill her.”
Kill her? What?
“W . . . why would I kill her?” I stammer. “What’re you talking about?”
She stares at me again. She seems to be holding some kind of internal debate. Her eyes narrow as she comes to a decision.
“Blood,” she says simply.
“Blood. Human blood.”
I look at her without understanding, blinking stupidly.
“The drink,” she says. “’Twas human blood.”
In an instant, it all comes back to me.
Michael. Rebecca. Chikah. Benjamin. The Cult. The Ritual. Every-thing.
I think I’m going to throw up.
I lurch to my feet and look around frantically for a bathroom, a sink.
Moira is at my side in an instant. She pulls me toward the kitchen. “Dinnae ruin my carpet, laddie!”
Wow! Her grip is strong!
By the time I reach the sink, the nausea has passed. I lean against the sink all the same. The room is still spinning.
Moira gave me blood to drink. I drank human blood.
And I liked it.
There’s something seriously wrong with me.
I cannae Sleep.
Or, to be more precise, I dinnae want to Sleep. And since I can catch a full day’s rest only once each week, abstaining could have . . . consequences. It makes me irritable. It affects my judgment. It in-creases the ever-present likelihood that I might . . . slip up.
And if I slip up, people die.
Ach! I’m so hungry!
’Tis another thing that’s worrying me. I should nae be hungry! Nae even a wee bit! I Fed just after sunrise! We both did. Carl, my husband, and I consumed two quarts each just before we went to bed. ’Twas a bit of a luxury, those two quarts. One should’ve been sufficient, enough for a week in a pinch. But here I am, lying in bed beside my Sleeping husband, and all I can think of is how hungry I am, how tired I am, and how much I dread going to Sleep!
’Tis nae use.
I rise from bed. Carl does nae notice. To all appearances he could be dead. I slip into my dressing gown and make my way to the living room. I take several turns about the room as I try desperately to think of something else, anything other than my hunger, my weariness, and my fear.
A scratching sound! Aye, lassie, focus on that. Someone’s at my flow-er bed again, digging it up. And I’m nigh certain I know who ’tis. That’s twice this year. I should peek out and catch . . . but, nae, ’tis the side facing the Sun.
My stomach growls.
Perhaps just a wee pint more.
I walk into the kitchen. Though nobody’s watching me, I try to keep my pace casual, walking, strolling as if I’m nae in a hurry, as if I’m nae desperate to get there. Why do I bother? There’s nary a soul to see me. Who am I trying to deceive? Myself?
I open the refrigerator, and the cold air transports the sweet fra-grance to my nostrils. To be sure, ’tis tainted by the odor of the preservative, but that cannae mask the nectar of . . .
There! Outside! Something far sweeter than the contents of my icebox!
Though I cannae smell it just yet, I can feel the general direction.
Quickly I close the refrigerator and head to the window. A cau-tious glance, while I carefully stay in the shadows, reveals nothing about the source of the evil, but it does show an overcast sky.
I shudder with relief, and my mouth begins to water. In a trice, I rush to the door and throw open the chest beside it. This is my emergency kit. I retrieve all the things I need: the bottle of heavy-duty spray-on sunscreen, the sweatpants, sweatshirt, gloves, boots, sun-glasses, cloak, and hood. In just a few seconds, I’ve applied every bit of protection. Only at this point, when I’m prepared, do I pause for a wee tick to be sure there’s still a reason to venture outside.
Aye, the evil’s still there. Sweet corruption.
I open the front door quietly so as not to alert anyone to my pre-sence. Aye, but I want to throw it open!
And the scent of pure evil washes over me. The honeyed fragrance engulfs my senses. Drool spills from my eager lips.
The familiar rage builds like a smithy furnace stoked by a bellows within me. Here! In my very neighborhood, practically on my front lawn!
Through the red haze of my wrath, I barely notice that my flower beds are indeed torn up, the destroyer having fled. I dinnae care for that. The one I Hunt now has done far worse than petty vandalism. Nae, the evil I smell can be caused only by murder and violence.
The scent turns my head to the southwest. I cannae see the source, but the direction is certain. I follow the airborne spoor across the street and to the right toward . . . Aye! That open garage! ’Tis the Mur-phys’ home. I can see two cars, neither one of them running. Now I can hear voices—hushed but emphatic voices.
“. . . my money, cabrón?”
I dinnae recognize the voice.
“Tomorrow! I’ll have it tomorrow!”
That voice I recognize. ’Tis Aaron Murphy. I dinnae know the the family well since they are nae in my ward, but Aaron’s the oldest boy in the family. He’s plays football or baseball or some other sport at the high school. I do hope he’s nae the source of the evil.
I approach the garage with all stealth, fighting hard to contain the mounting rage and the ravenous hunger.
“You said that yesterday, man. And the day before that. You been hiding from me!”
“I swear, Manny! Tomorrow!”
“You don’t get it, muchacho. I give you product. You sell it to your little friends at school. You give me my money. I give you more product. You sell it. You give me money. You get to go on making everyone think you just a good little Mormon boy. That’s how it works.”
“Not this time, cabrón! I gotta teach you a lesson. Today, I’m just gonna break your fingers.”
I round a corner of the garage and take in the whole scene. In the confined space between a compact car on the left and the Murphy fam-ily’s minivan on the right, Aaron, the all-American boy, is pinned a-gainst the larger vehicle, held there by a big Hispanic man complete with bandana, gold chains, tattoos, multiple piercings, and a nasty-looking switchblade. Manny, the thug, has one hand at Aaron’s throat. The other hand holds the knife an inch away from the lad’s eye.
“Next time I cut off one of your fingers, muchacho. Just try catching a football like . . .”
A snarl rips from my throat.
Manny releases the boy and spins to face me. He looks startled, but nae frightened. Aaron’s head snaps in my direction, but he remains rooted to the spot. He looks horrified.
The thug’s face twists in an evil leer. “Beat it, chica. This is none of your business.”
I laugh low and menacingly. “Ach, nae, rat. Ye are my business.”
I step into the shade of the garage, safely out of the muted sun-light. I throw back my hood and pull off my sunglasses, setting them on the trunk of the sedan. I fix Aaron’s eyes with my own and say with Persuasion, “Lad, go stand over there and wait for me while I deal with this.” Aaron’s expression goes slack, and he turns obediently and walks to the far wall of the garage.
I return my gaze to the gangster, who’s staring at Aaron in amaze-ment. “Now, rat,” I say, “face me. Look into my eyes and see the hellfire that awaits ye.”
Manny looks at me, his face a mask of fury. “Listen, puta . . .”
I open my mouth wide, revealing my dripping fangs.
His brown eyes go wide, and the color drains from his face. “Madre de . . . ! ”
I advance toward him, savoring his terror as I will the honeyed sweetness of his evil blood. I want to tear this vermin to shreds . . . after I consume his life.
Still brandishing the knife in one hand, he fumbles at his breast with the other and lifts a rather large and ornate gold cross on its chain. He holds it toward me as a talisman.
I cower back, shielding my face from the crucifix.
Through my fingers, I can see Manny’s face split in a leer of tri-umph. “That’s right, zorra. Now you know who’s . . .”
I straighten up, no longer feigning fear. I shake my head slowly from side to side, laughing softly. “Ooh, did I give ye a wee moment of hope, ratty? That bonnie bit of jewelry cannae protect ye from me.”
“‘Sons of God! Brood of Light-Bearer who fell!’ That is how I would render the first half.”
The message is in plain text. The email address looks like a random mix of letters and numbers, and the email provider is one that supports anonymous accounts.
I’ve been collaborating with colleagues across the country and in the U.K., Israel, and Egypt for more than a week. We’ve been trying to decipher the twenty-four syllables of Adamic (at least I assume it’s Adamic) that Lilith uttered at the battle at the farm. My colleagues are experts in Hebrew, Arabic, Egyptian, Greek, and Latin. We’ve been exchanging emails ever since I asked for their help.
Of course, I’ve told them I’m not at liberty to reveal the source just yet, but I’m certain it’s a language that predated all others, a protolanguage. In the beginning, some refused to collaborate on the project because I wouldn’t reveal my source, because I was being cryptic. But eventually, most couldn’t resist the lure of the puzzle. That’s something we all share in common, my colleagues and I: we can’t resist the potential, the lure of hidden knowledge.
And of course, I can’t tell my academic friends that the source is a native speaker. I also can’t tell them that the text is an outburst from a six-thousand-year-old vampire after she’d been impaled by the very spear that once pierced Christ’s side, a spear being wielded by a former Nazi assassin who is now a repentant vampire.
In other words, I can’t betray my friends.
C. David Belt was born in Evanston, WY. As a child, he lived and traveled extensively around the Far East. He served as an LDS missionary in South Korea and southern California (Korean-speaking). He graduated from Brigham Young University with a Bachelor of Science in Computer Science and a minor in Aerospace Studies. He served as a B-52 pilot in the US Air Force and as an Air Weapons Controller in the Washington Air National Guard. When he is not writing, he sings in the Mormon Tabernacle Choir and works as a software engineer. He collects swords (mostly Scottish), axes, spears, and other medieval weapons and armor. He and his wife have six children and live in Utah with an eclectus parrot named Mork (who likes to jump on the keyboard when David is writing).
Thanks so much for dropping by and sharing your story, David. Now let's give readers a treat by allwing them to get to know you a little better...
When did you first realize you wanted to be a writer? I’ve been writing short stories all my life, but about thirteen years ago the idea for The Children of Lilith took hold of me and wouldn’t let me go.
How long did it take you to write your book? It took me ten years to get started, because a fundamental plot point just wouldn’t gel in my head: if vampirism must be voluntary, how can there be an unwilling vampire? Once I resolved that, the first book took me about a year. Each of the other two volumes took about a year apiece.
What genre is your book? What made you choose to write in that category? It’s hard to shove it into one genre, but let’s say LDS/horror/vampire/urban-fantasy. Once the story took hold of me, it wouldn’t let me go. My current work-in-progress is a straight-up science fiction novel unrelated to vampires.
What was your work schedule like when you were writing? I write whenever I can: during spare moments, late at night, on the way to and from Mormon Tabernacle Choir rehearsals (if I’m not the one driving).
What would you say is your interesting writing quirk? I love to listen to Irish pub music when I write. That’s right: a good Mormon boy who has never had a drink is inspired by drinking songs!
Where do you get your information or ideas for your books? I get some of my best ideas while sitting in the Conference Center choir loft, gazing out into that vast space (assuming I’m not singing at the moment). It seems to clarify my thoughts. As for information, I do a lot of research on my own. And in the Choir, I’m surrounded by experts on just about any subject imaginable. If I have legal questions, I know a few attorneys in the Choir. There are doctors of several specialties. One of my fellow baritones is an expert on criminal psychology. (I talk to him a lot!) There are physicists, rocket scientists, professors of religion and ancient languages, and of course, musicians. If I need to translate something into any language imaginable, there’s probably someone in the Choir who can speak that language.
How many books have you written? Which is your favorite? I’ve written three: The Children of Lilith trilogy. My favorite is probably the third volume, The Prophecy, because that is where all the various threads of the story were finally woven together.
Are you currently working on another book? If so, is it part of a series or something different? Yes. My current novel is titled “Time’s Plague”. It’s a standalone science fiction novel unrelated to vampires. “Time’s Plague” borrows themes (and character names) for Shakespeare’s “King Lear” and is set roughly a century or so in the future. It starts out on a penal colony on Callisto (one of the moons of Jupiter). The story centers on Edgar Cordell, an innocent man, who has been sentenced to life (there can be no parole and no escape from the Hades penal colony) for a murder he did not commit. He was framed by his ex-wife and his best friend. The prison has no warden and is ruled by the prisoners, all of whom are male. It is literally a hellish place populated by murderers and rapists, the worst of the worst. New prisoners and supplies are dropped from orbit and no ship ever lands on Callisto… that is, until a shuttle crash-lands. There is only one survivor—Edgar’s ex-wife, the one person in the universe he hates more than any other. No woman can survive on Callisto. Edgar has to figure out a way to get her off-world and protect her from the other inmates.
What do you like to do when you're not writing? Between my day job as a software engineer, the Mormon Tabernacle Choir, family, and writing, there isn’t a lot of time for much else. I love history and collect medieval weapons and armor. I have thirty-seven weapons (including swords, axes, spears, a mace, a war hammer, a flail, a Roman dart, a sword-breaker, a fighting targe, and assorted knives) and various pieces of armor (including helms, a full suit chain). I am learning to play the bagpipes (very slowly). I love to watch “Dr. Who” and “Downton Abbey”. And I love to read, of course.
What does your family think of your writing? Most of them are proofreaders, so it is their job to be very critical. However, they are enthusiastic and often ask me when the next chapter will be ready. My father, who generally refuses to read anything that contains violence or tragedy (he walked out of “Dr. Zhivago”), has told me that many people today would find the message of The Children of Lilith helpful and inspiring. “They need to read your book!” That was not a reaction I expected.
What was one of the most surprising things you learned about yourself in creating your books? What caught me most by surprise was when Moira MacDonald spoke up in my head and said, “I would nae ever say such a thing, laddie. Here’s what I’d say…” I learned to let the character dictate the story to me. The other thing that surprised me was how easy it is for me to delve into the minds of sociopaths, serial killers, and rapists. One of my sons said, “You watch too much SVU.”
Do you have any suggestions to help others become a better writer? If so, what are they? Number one, tell the story YOU want to tell—don’t worry about if anyone else will want to read it. Number two, LISTEN to your characters—they may come from your mind, but they know who they are better than you do. Number three, be honest and don’t cheat—if it doesn’t ring true, if it doesn’t make sense, if it isn’t logical, don’t try to force the story to go a direction that it shouldn’t, even if that means you must change direction or even the ending.
Do you hear from your readers much? What kinds of things do they say? I do get feedback, both complement and critiques, but most of it is positive. I do get fan mail and email. The questions I get most often are, “What are you working on now?” and “When will the next book be out?”
What do you think makes a good story? Something that feels real, honest, that is both relatable and opens my mind to new thoughts and ideas. I love a story that can make the fantastic and magical seem perfectly logical. I love stories that portray history accurately.
As a child, what did you want to do when you grew up? Batman. Then later, an astronaut. Then a jet pilot. Guess which one I actually achieved?
Are you self published or do you have a publisher? If self published, what made you decide to go that route? Parables is my publisher ( http://www.parablespub.com ). I suppose I need the validation that someone outside my circle of family and friends thinks my work is worth investment.
Do you have a website, fan page, blog or twitter we can pass on to your fans? The website for The Children of Lilith: http://www.unwillingchild.com.
There is also a website that is mentioned in The Prophecy, so I bought the domain and created the website: http://www.theywalktheearth.org
Where can your books be found? Please list Your author page from amazon and links to your books anywhere else they can be purchased. thank you
Amazon author page: http://www.amazon.com/-/e/B005ODEK3Q
The Unwilling: http://www.amazon.com/The-Unwilling-Children-Lilith-Volume/dp/1427695210/
The Penitent: http://www.amazon.com/The-Penitent-C-David-Belt/dp/1427695792/ref=tmm_pap_title_0
The Prophecy: http://www.amazon.com/Prophecy-Children-Lilith-ebook/dp/B00CNFV5U4